There are some small developments such as painting the unitard and adding a ruff, although there are no major changes to the design.
Monday, 2 May 2011
Reflection so far...
This project has been going smoothly so far although the deadline is coming up fast!
I'm learning everyday as a designer and maker that the design changes everyday, as you collect the materials and bring everything together. For example whilst making the feathers I ran out of ridgeuline so I was searching trying to find some kind of replacement, because I wanted to carry on making feathers and not have to buy more ridgeuline.
Finally I found a box of old straws! Which I cut up and used instead, they work perfectly and give the feather enough strength but are still flexible? I learned not to necessarily stick with the conventional material and to look around and experiment with different ones.
I have also made a change with the beaks, originally I wanted to experiment with vavaform and Plasterzote, however with a consolation with the technician in the work shop we both decided that latex would be a better option. So I made the beaks out of latex which I think worked really well, They kept the shape of the beak really well and are flexible. I was worried with the other materials that they would be to ridged and hurt the face of the dancer, so using latex has solved that problem. Now I need to find a way to attach them to a mask.
May 4th:
I have found a solution for attaching the masks!
After a trip to the craft in Poole I decided to use a shaped pre-made mask to use as a base. This has worked really well. I have learnt not to be afraid of utilising things and not trying to do things from scratch all the time. I think in this instance it has worked well, and the masks look much better than I expected.
I'm learning everyday as a designer and maker that the design changes everyday, as you collect the materials and bring everything together. For example whilst making the feathers I ran out of ridgeuline so I was searching trying to find some kind of replacement, because I wanted to carry on making feathers and not have to buy more ridgeuline.
Finally I found a box of old straws! Which I cut up and used instead, they work perfectly and give the feather enough strength but are still flexible? I learned not to necessarily stick with the conventional material and to look around and experiment with different ones.
I have also made a change with the beaks, originally I wanted to experiment with vavaform and Plasterzote, however with a consolation with the technician in the work shop we both decided that latex would be a better option. So I made the beaks out of latex which I think worked really well, They kept the shape of the beak really well and are flexible. I was worried with the other materials that they would be to ridged and hurt the face of the dancer, so using latex has solved that problem. Now I need to find a way to attach them to a mask.
May 4th:
I have found a solution for attaching the masks!
After a trip to the craft in Poole I decided to use a shaped pre-made mask to use as a base. This has worked really well. I have learnt not to be afraid of utilising things and not trying to do things from scratch all the time. I think in this instance it has worked well, and the masks look much better than I expected.
Monday, 18 April 2011
Experimenting with making feathers.
Making My Own Feathers
It is a very basic technique although the result is very effective.
To start I cut some ridgeuline into a small strip to represent the spine of the feather and to create stability. I then cut some fabrics (use a reasonably lightweight fabric to get the best effect)then use a zig zag stitch on the sewing machine and sew on top of the ridgeuline. The final step is to cut into or wire brush the feather carefully to create the feather effect.
I found that the heavier fabric loses the movement which makes it look like a feather.
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| A thin strip of ridgeline acts as the spine of the feather. |
The feathers when they are made are very delicate as the fabric's grain is at different angles, so I've found that sometimes the little strands of feather come apart, however I think it gives it a more life like quality.
I experimented with other fabrics, they all react differently some are more delicate than others.
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| This is the first stage, cutting they fabric cutting the ridgeuline Then sewing it on to the fabric. |
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| I then cut in to the fabric to create the effect of a feather. |
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| Feather braid stitched to the back. |
I will defiantly use this technique in my project, I am very pleased with the outcome of the experiments and think they look like real feathers. Although I still feel that using real feathers as well as these home-made feathers would give a better more textured effect.
Tutorials.
Tutorial with Adele Unit Leader.
31/3/11
- Design All Four Costumes but make only tow for hand in.
- For the beaks find some lightweight materials touse such as Vavaform or Plasterzote, (Talk to Julia in the workshop.
- Use Blog to document your project progress and learning etc.
- Blog Tutorials Thursday 1.40pm (Bring Learning Agreement)
7/4/11
Tutorial.
- Reflection! is the main reason for the blog, What AM I LEARNING??
- Update blog labels so they can be seen on the blog and not just the dashboard.
- reflective blog at the end of everyweek.
- What am i learning as a maker? and designer etc?
- reflect over techniques.
- make feathers, rigeline fabrics, wire brush over the top or cut into it.
- For the owl perhaps a bolero jacket would be more suitable for the arms to represent the wings rather than padding the unitard?
- Only Cotton Lycra can be dyed, but synthetic lycra can be painted with inks.
- Zippy ties can be dyed and create a good spikey effect. (good for eagles mask?)
- Ask Alison about the Vavaform.
Tutorial.
May 5th:
- Remember to Reflect! Write about how your experiences have changed what you would do in the future.
- Change the labels on the blog to be only three, Planning, research & reflection.
- Latex may perish if kept and used longer than a couple of years. consider this is masked want to be kept and used year after year.
Sunday, 17 April 2011
Designs - Dodo.
The DODO.
The Dodo is an interesting design because it is an extinct bird therefore I have some artistic license with the way it looks. There are images within the alice in wonderland books and other sources of the dodo, howeverI am going to experiment and use some other materials other than just feathers, to create a textured effect.
Like the owl costume the dodos unitard will be sourced for me by the Ballet school. As the dodo is a round character i have decided to add a pad to the chest to create a rounded silhouette.
Around the neck i thought looked like an Elizabethan ruff, which is ironic as the character of the dodo in alice in wonderland is spposed to be wise and regal which the ruff would represent, where as the original perceptions of the dodo is that they were stupid and clumsy creatures. It would be a great play of roles if the dodo character would be tall & regal, nevertheless due to his forgetfull nature would forget his regal persona and be clumsy and stupid.
From underneath the ruff collar the pad which would be attacthed to the unitard would be covered with feathers and homemade feathers down the torso. It will have at the back a small plumage, to represent the tail.
Rather than the owl whose arms will be covered with feathers the Dodo traditionally could not fly, and has very small unesscessary wings, Therefore to represent this i have decided not to cover the arms with feathers but to create feathered gloves. This will give the illusion of little wings.
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| feathered gloves. |
Friday, 15 April 2011
Designs.
These are the designs I have come up with. I have designed four of the birds even though for the project I am only required to make 2, however I will of my own accord make the other two for the show.
The owl will have a white unitard,which I will decorate down the front and a bit down the back, It was also discussed with my tutor that I make a bolero style jacket to create the fullness in the arms, rather than padding and working into the unitard to much.
I have started experimenting with materials to create the beak for the owl as it is much smaller than any of the other birds, therefore I can use a heavier material which would not be an option with the other birds.
I have firstly started experimenting with fimo, as it is reasonably easy to manipulate however it is quite stiff, so I wouldn't use it if I had to make something intricate. The beak shape I had in mind was quite simple. Fimo is more convenient than some other similar materials such as clay, because it can be cooked in the oven. Although I have learnt from using it that after it has started to cook it becomes very fragile and easily cracks.
This is the first attempt, however i decided to make it much smaller and take off the side pieces to make it purch on the nose, it will be attached to a mask which will come down the nose from the top of the head. Although not shown in the design it will be probly be attached accross the cheeks aswell for extra stability.
The dance school will be giving me the unitards to work on so I will be finding and experimenting to find ways to add and embellish the unitards. I will also be working with the workshop to make beaks for the birds out of a light weight material.
The first bird I designed was the owl.
The owl will have a white unitard,which I will decorate down the front and a bit down the back, It was also discussed with my tutor that I make a bolero style jacket to create the fullness in the arms, rather than padding and working into the unitard to much.
The head dress will be made out of foam to create the rounded shape without the weight. The foam will also be easy to work into and add elements, such as the ears.
I have firstly started experimenting with fimo, as it is reasonably easy to manipulate however it is quite stiff, so I wouldn't use it if I had to make something intricate. The beak shape I had in mind was quite simple. Fimo is more convenient than some other similar materials such as clay, because it can be cooked in the oven. Although I have learnt from using it that after it has started to cook it becomes very fragile and easily cracks.
This is the first attempt, however i decided to make it much smaller and take off the side pieces to make it purch on the nose, it will be attached to a mask which will come down the nose from the top of the head. Although not shown in the design it will be probly be attached accross the cheeks aswell for extra stability. This is a picture of me with the updated beak shape. it will sit over the nose and will be attached from the top of the head and across the face.
Monday, 4 April 2011
Planning
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